When we read on dead trees, do we retain more?
While working in a bookstore in Boone, North Carolina, back in 2011, a 36-year-old college dropout named Hugh Howey started writing a series of sci-fi novellas called Wool. His stories were set in a postapocalyptic world where all human survivors live in an underground silo, a microsociety where resources are so scarce that one person has to die before another can be born. Howey had already published a book with a small press, but he wanted to retain creative control, and he didn’t want to go through the arduous process of finding an agent. So he decided to put out the new books himself, selling digital downloads and print editions through Amazon. In the first six months he sold 14,000 copies. Each new installment met with immediate enthusiasm. Within hours he’d receive emails from readers hungry for more.
All ebooks should retain their marginalia
Hmmm. I am not at all sure that I want my notes kept with the book. One of the really good features is “my notes are mine”. I can get them even if I no longer have the book (think a library book that is annotated and returned).
I like unlimited lending.
I am not at all sure about the sale of “used bits”.
I vote for unlimited lending, but not sale of used.
The U.S. Department of Justice has warned Apple and five of the biggest publishers in the country that it plans to sue them for allegedly colluding to raise the price of e-books.
I’m not so sure that Amazon really wants to sell e-readers. I think they want to sell e-books and are dealing with the chicken and the egg problem.
Martha K. Levin, the executive vice president and publisher of Free Press, the imprint of Simon & Schuster that published The Iliad, said the presentation sent the message that even if youre buying 90 percent of your books on your e-reader, this is the one that you want to have on your bookshelf.
That’s what I keep on my shelves – books that are significant in all of their art – words and presentation.
SITTING at a table in a Barnes & Noble in St. Petersburg, Fla., T. J. Waters was signing copies of his book Hyperformance when a fan standing in line with the eBook version walked up and said, Its too bad you cant sign my Kindle.
As new digital book tools and services roll out, we need to be able to evaluate not only the cool features they offer, but also whether they extend (or hamper) our rights and expectations.
The over-arching question: are digital books as good or better than physical books at protecting you and your rights as a reader?